We at the moment are 4 days into Milan Trend Week, and the Digicam Nazionale della Moda Italiana’s schedule granted us the Gucci Spring 2025 showcase this afternoon. The gathering marked the third mainline womenswear outing from Sabato De Sarno, having signed on the dotted line as Gucci inventive director in 2023 (changing Alessandro Michele). The guideline of De Sarno’s newest was “casual grandeur” which took form by way of the Italian designer’s obsession with all-things tailoring, lingerie, leather-based, and the silhouettes of the 1960s. Tone-on-tone appears in Rosso Ancora , khaki, tangerine, neon yellow and chocolate brown ran by way of the gathering, with the long-lasting the Bamboo 1947 purse heralded as an announcement for one more season.
Gucci Spring 2025 Assortment Evaluation
Learn beneath the reactions of theFashionSpot’s discussion board members:
“The set design is gorgeous and the cast is on point. The clothes not so much.” [LadyJunon]
“I kinda love it. Very few looks are misses, for me.” [KoV]
“Sabato haters are going to have a hard time criticizing this one. It’s an evolution and let’s be honest, it looks great.” [signifier]
“The show was a disaster. First look and I already knew it was a flop. The basicness of it. And those tracksuit-inspired pants oh dear. Seriously, Sabato De Sarno has zero vision for the brand. This collection was just a bunch of uninspired clothes put together with no emotion, no direction.” [Frederic01]
“So basic and generic! No POV at all. It’s many things mixed together to hide the lack of vision. Gucci needs somebody with a real vision. This could be a Zara fashion show.” [Creative]
“I can’t believe we have to call this ‘high’ fashion. Boring, unimaginative, and faceless.” [GoldenPetals]
“This was a trunk show. De Sarno showed everything under the sun so ultimately, everybody is going to find something they like. I find it decent verging on boring. A non-event.” [Lola701]
See all of the appears from the Gucci Spring 2025 assortment and be a part of the dialog, right here.
