Vittoria Ceretti is considered one of our discussion board favorites. Whether or not the Italian magnificence is storming the runways throughout vogue week, gracing covers of Vogue Italia, Vogue China and Vogue Spain or turning into the face of mega manufacturers like Moschino, Chanel and Alexander McQueen, Vittoria continues to impress. So we aren’t in any respect shocked to see Vittoria make a comeback on the duvet of Vogue Korea for November 2019. Photographed by Hyea W. Kang and styled by Kihoh Sohn, Vittoria smolders within the dramatic cowl shot sporting smoky eyes and a glance from Louis Vuitton’s Cruise 2020 assortment.
However our discussion board members felt the duvet was a missed alternative. “Yikes, this looks so amateur! Like it was taken with an Android. The reflection on her belt, the colors, huge miss for me,” mentioned Benn98.
“All Vittoria does nowadays is save covers from being worse. I like the styling and everything, but that pose does not sit well with me. It looks weird,” known as out SLFC.
“What a weird pose. She is giving Quasimodo realness,” mocked djowodjo30.
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“I agree,” replied apple. “There’s this Quasimodo pose because of the arm placement that makes it look like her back plus it resembles the Vogue Paris cover for October 2019. Also her stare is not giving me anything!”
Sharing the identical sentiment was vogue28: “I do find it hard to hate on anything with Vittoria Ceretti, but Vogue Korea is pushing the limitations with this! What on earth? It’s not the worst magazine cover I’ve come across, but could’ve undoubtedly been better. I absolutely loathe the gradient masthead and the minuscule text.”
“I am not a fan of this cover. The only good thing is Vittoria, who at least adds some emotion to it,” defended Mercury6181.
Bertrando3 disagreed with the bulk. “This is the first time I actually enjoy Vittoria on a Vogue cover. I like this, it’s dark, powerful and edgy. Besides the great hair and makeup, I love the pose, too.”
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